Il sistema di scaffalature BC06 RooM 68 del duo di designer di Amburgo Hoffmann e Kahleyss sfoggia un design modulare con un sapiente mix di superfici in legno massello e strutture in alluminio pregiato: questo consente numerose combinazioni e look per adattarsi a tutti i gusti e gli interni.
Indipendentemente dal fatto che lo si utilizzi come credenza bassa, credenza o credenza, contro un muro o da appoggio, con ante, sportelli o cassetti, questo sistema si adatta a qualsiasi esigenza con praticità, eleganza e appeal. L’estrema semplicità di montaggio e smontaggio li rendono perfetti per qualsiasi ambiente.
At first glance, the charburning process appears to be a rather brutal assault on the surface of the wood. Selecting the right material is the starting point for a process chain with several links: the first step is undertaken with a carpenter’s plane, before the chainsaw is then applied. This gives the surface of the wood a truly distinctive structure. The wood is then subjected to a baptism of fire – the surface is torched with the Bunsen burner until the top layer is charred. This process of burning and then brushing allows the hard parts of the wood to remain, while the softer parts are removed. Cracks, knotholes and marks from the chainsaw blend smoothly together to create a tabletop structure brimming with character. After finishing with different methods and sealing with natural resin oil, the result is a hard, resistant surface in different shades that cries out to be touched.
When oak comes into contact with water, unsightly brown stains are often left behind. These are created when moisture penetrates the wood, releasing stored nutrients which are then carried to the surface during evaporation. This leaves a mark. To avoid this, the oak is washed in several steps – an intensive mechanical process developed and perfected over years by wood flooring expert Schotten & Hansen. Washing opens the pores of the wood, allowing undesirable elements to be released and care substances to be added in their place. These can include oils, waxes, resins and – as in the brand-new collection from Janua – colour pigments. This can leave table surfaces with a soothing “graphite” or “raw effect” shade, as well as looking radiant in “gold” from the inside out.